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Sydney Bollinger
Home
Fiction
Articles & Essays
Criticism & Interviews
Poetry
Zines & Chapbooks
Events
Media
Copywriting
Contact
Shop
Connect With Me
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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

White Noise is the original “climate anxiety” novel

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

[Tribeca ‘22] Film Review: Zanzibar: Trouble in Paradise (2022)

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

[Tribeca ‘22] Film Review: Fashion Reimagined (2022)

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

[IWFF] Film Review: America’s Heartland: Wild Prairie Reborn (2021)

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

2022 International Wildlife Film Festival Preview

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

The film industry needs to do something about its environmental impact

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

Interview: Laura Torenbeek

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

Climate change, dystopia, and our stories

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

DCEFF in Review

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

[DCEFF] Film Review: Beans (2020)

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

A (very) brief history of environmental filmmaking

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

[DCEFF] Film Review: Exposure

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

[DCEFF] Film Review: Going Circular (2021)

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

[DCEFF] Film Review: Devil Put the Coal in the Ground (2021)

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

[DCEFF] Film Review: Breaking Trail (2021)

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

[DCEFF] Film review: Fruits of Labor (2021)

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

[DCEFF30] Climate Connections Evidence & Advocacy Shorts Block Review

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Sydney Bollinger 10/25/22 Sydney Bollinger 10/25/22

Why should we watch environmental films?

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Sydney Bollinger

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